This wiki is an ongoing workspace for a book in the making, by Femke Snelting and Jara Rocha. Volumetric Regimes will be published by Open Humanities Press (2021) in the DATA browser series, edited by Geoff Cox and Joasia Krysa. Design and lay-out will be implemented by Manetta Berends based on a template developed by Stuart Bailey.
Volumetric Regimes: material cultures of quantified presence
Edited by Possible Bodies (Jara Rocha and Femke Snelting)
3D computation has historically co-evolved with Modern technosciences, and aligned with the regimes of optimisation, normalisation and hegemonic world order. The legacies and projections of industrial development leave traces of that imaginary and tell the stories of a lively tension between "the probable" and "the possible". Defined as the techniques for measuring volumes, volumetrics all too easily (re)produce and accentuate the probable, and this process is intensified within the technocratic realm of contemporary hyper-computation. The ubiquity of efficient operations is deeply damaging in the way it gradually depletes the world of all possibility for engagement, interporousness and lively potential. Volumetric Regimes: material cultures of quantified presence proposes an urgent intersectional inquiry into volumetrics to foreground procedural, theoretical and infrastructural practices that provide with a widening of the possible.
Volumetric Regimes emerges from Possible Bodies, a collaborative project on the intersection between artistic and academic research. The project was initiated in 2016 to explore the very concrete and at the same time complex and fictional entities of so-called "bodies" in the context of 3D computation. Volumetric Regimes brings together diverse materials from an ongoing conversation between artists, software developers and theorists working with techniques and technologies for detecting, tracking, printing, modelling and rendering volumes.
Contributors: Sophie Boiron, Maria Dada, Pierre Huyghebaert, Phil Langley, Nicolas Malevé, Romi Ron Morrison, Simone C. Niquille, Helen V. Pritchard, Jara Rocha, Sina Seifee, Femke Snelting, Kym Ward.
- Text: Sina Seifee, Rigging Demons (2021)
- Text: The Possible Bodies Inventory: dis-orientation and its aftermath (2017)
- Visual essay: Possible Bodies, x, y, z (4 filmstills) (2018)
- Text: Invasive Imagination and its agential cuts (2019)
- Prospectus: The Extended Trans*feminist Rendering Program (2019)
- Text/visual essay: Nicolas Malevé, Panoramic unknowns (2020)
- Interview: Simone Niquille in conversation with Possible Bodies, The Fragility of Life (2017)
- Text: Maria Dada, Rehearsal as the ‘Other’ to Hypercomputation (2021)
- Conversation: Comprehensive Features. A conversation with Phil Langley (2015 + 2021)
- Text: Helen Pritchard, Full of pleasure and disorientation (2021)
- Visual essay: Somatopologies (materials for a movie in the making) (2017)
- Text/transcript: somatopologies: a guided tour II (2019)
- Fanziposter: Kym Ward, Circluding (2017 + 2020)
- Graphic note: spec (Sophie Boiron and Pierre Huyghebaert), From topology to typography: a romance of 2.5D (2021)
- Text: MakeHuman (2018)
- Pamphlet: Information for Users (2018)
- Conversation: Endured instances of relation: an exchange with Romi R. Morrison (2020)
- Text: The Industrial Continuum of 3D (2020)
- Fanzine + diagrams: Exploring The Industrial Continuum of 3D (2017-2018)
- Workshop documentation + script: Signs of clandestine disorder for the uniformed and codified crowd (2017)
- Text: So-called plants (2020)
- Text: Kym Ward, Contribution by Kym Ward (2021)
- Text: Helen Pritchard, Jara Rocha, Femke Snelting, We Have Always Been Geohackers (2019)
- Workshop documentation: Helen Pritchard, Jara Rocha, Femke Snelting, LiDAR on the rocks (2019)
- Report: Jara Rocha, A Bugged Report (2019)
- Fiction: Helen Pritchard, Jara Rocha, Femke Snelting, Ultrasonic Dreams of Aclinical Renderings (2018)